When you’ve got ADHD, time is a lot more abstract than it is for other people. Can you tell us more about this relationship? You’ve spoken about the link between time and your experiences of ADHD in your work. I especially like really gritty digital distortion, like bit-crushing. I very rarely write music under 100bpm, and I’m a very big fan of blending different types of distortion. I’ll sometimes put stupid memes from the days of Vine into my work, whilst I’m simultaneously writing about something really heavy. I guess I really just write a lot about quite heavy subjects, but at the same time I try not to take myself too seriously, and I think that statement kind of captures that. We love that! Can you unpack how that manifests in your music? You’ve described your work as “fast, crunchy, and emotional – as all good breakfasts should be”. Because of that I really fell in love with music production. When I was 14 I got a laptop with ProTools on it as a Christmas gift, and I filled up a couple of external drives full of weird experimental electronic music that will very likely never see the light of day. However, I guess from the selection you gave me, probably music production. I actually started with classical composition first, although I was in a bunch of different bands when I was in my teens as either a singer, guitarist, bassist or drummer. You’re a music producer, singer, and songwriter, what came first for you? The loneliness of lockdown felt kind of similar to the loneliness I felt at uni, so it was easier to put myself back in those shoes again. At university, I came out as transgender to a group of friends I made who turned out to be not particularly understanding about it and I ended up having a bit of a mental health crisis because of that. I was at a point where those experiences feel distant enough that I can write about them from the other side of the tunnel but close enough that I could go back and remember how they felt. How was it exploring this experience in your work? I’m looking forward to the video, but I’m also looking forward to seeing if I can squeeze in a little bit of Super Smash Bros Ultimate with my friends before I get too busy.Ĭongratulations on “Paranoid”! It’s based on what sounds like a really difficult time for you at university. I spent the morning casting people for an upcoming music video before the interview. Hey Izzy! How’s your day been? What are you looking forward to today apart from doing this interview? Hear “Paranoid” for yourself and read our chat with the artist below… We unpack that description below, as well as how she’s accumulated her multiple musical talents and the interaction between her artistry and her ADHD. The result is “Paranoid”, the father-daughter team-up’s buoyant alt-pop triumph that’s more than compatible with Izzy’s summarisation of her sound – “Fast, crunchy, and emotional – as all good breakfasts should be”. She asked her dad and collaborator, ‘80s hitmaker Nik Kershaw, to write lyrics for the track’s middle eight section, with the specification that they alluded to hope in the distance. “At university, I came out as transgender to a group of friends I made,” she explains below, “who turned out to be not particularly understanding about it and I ended up having a bit of a mental health crisis because of that.” As time passed, Izzy was ready to channel the pain she’d endured into music, however, not without an optimistic spin. Izzy Kershaw’s latest single “Paranoid” was written following a particularly testing time for the artist.
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